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Poco de un Todo y de un Todo Nada

littlelimpstiff14u2:

SHINTARO OHATA

Born in Hiroshima, 1975.
Shintaro Ohata is an artist who depicts little things in everyday life like scenes of a movie and captures all sorts of light in his work with a unique touch: convenience stores at night, city roads on rainy day and fast-food shops at dawn etc. His paintings show us ordinary sceneries as dramas. He is also known for his characteristic style; placing sculptures in front of paintings, and shows them as one work, a combination of 2-D and 3-D world.

Japanese artist Shintaro Ohata (previously) currently has two new sculptural paintings on view at Mizuma Gallery in Singapore. Ohata places vibrantly painted figurative sculptures in the foreground of similarly styled paintings that when viewed directly appear to be a single artwork. In some sense it appears as though the figures have broken free from the canvas. These artworks, along with several of his other paintings, join works by Yoddogawa Technique, Enpei Ito, Osamu Watanabe, and Akira Yoshida, for the Sweet Paradox show that runs through August 10th

Txt Via Colossal

(vía heylaurak)

(Fuente: snowwhties, vía fuckyeahmexico)

thekhooll:

Facsimile Murat Germen

Cities may seem to grow only upwards, but they actually accommodate two different worlds: First being the obvious Überland, the city over the ground level; and the other Unterland, the underground. Even though soundly developed metropolises have a very intricate and large underground infrastructure, the most lived, experienced and perceived urban world appears to be the one above: Überland. Unterland is usually ignored, misperceived, underestimated and not particularly pleasing by many; since the times we spend in the Unterland is usually temporary and we do not reside there.”

(Fuente: archatlas, vía lustik)

lehmannmaupin:

We would like to congratulate Lee Bul on winning the Noon Award at the 2014 Gwangju Biennale. The award is given to an established artist who has produced the most experimental and creative work that embodies the theme of this year’s biennale.

The 10th Gwangju Biennale, ‘Burning Down the House’, is on view through November 9th. 

(vía lustik)

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